- analysis of Hiroshima Mon Amour by Resnais (1959)
- the background of the film, socio-cultural aspects
- how emotions are reflected in the film
- how the editing, dialogue and music causes immersion
- how it affects the audience
- narrative theories from Bordwell
- Hugo Munsterberg and attention
- psychoanalytic film theories
- describe how emotions work in film (both on screen and audience)