What does the film tell us about why or how the form of media can sometimes matter as much as the content of media?
The film is making similar claims re: handicams and human rights as Meyrowitz is making re: television. Both are dated, but what do they tell us about the various affordances of different media? What can they tell us about television (Meyrowitz's focus) today? How can we extend their arguments into our current mediascapes -- either in contrast or in similar ways -- of smart phones, etc.?