Although the name Lucy comes from the Latin word for “light,” the saint commemorated on St. Lucy’s Day was blinded and her feast is celebrated on the longest night of the year, one of many paradoxes in John Donne’s “A Nocturnal upon St. Lucy’s Day, Being the Shortest Day.” In John Milton’s Paradise Lost, Books I and II are set in Hell, a place that is meant to be entirely devoid of light, which the narrator describes as “darkness visible” (1.63). Consider the interplay of light and darkness in these two poems. What symbolic connotations do either have, and how do these poems explore and complicate those connotations? What is the poetic narrator or speaker’s relationship to light and darkness? You might also consider the role of paradox in either poem.
The Interplay of Light and Darkness in John Donne's "A Nocturnal upon St. Lucy's Day" and John Milton's Paradise Lost: Symbolism, Complexity, and Paradox
Title: The Interplay of Light and Darkness in John Donne's "A Nocturnal upon St. Lucy's Day" and John Milton's Paradise Lost: Symbolism, Complexity, and Paradox
Introduction:
John Donne's "A Nocturnal upon St. Lucy's Day" and John Milton's Paradise Lost both delve into the interplay of light and darkness, exploring their symbolic connotations while complicating traditional interpretations. This essay examines how these poems navigate the relationship between light and darkness and the poetic speaker's connection to these elements. Additionally, it explores the role of paradox in reinforcing the complexity of the themes presented.
Body:
Symbolic Connotations of Light and Darkness:
In Donne's "A Nocturnal upon St. Lucy's Day," the paradoxical nature of light and darkness is evident through the juxtaposition between the name Lucy, meaning "light," and the saint's blindness. This irony suggests a deeper symbolic meaning wherein light represents spiritual enlightenment, while darkness signifies earthly limitations or physical blindness. Similarly, in Milton's Paradise Lost, the darkness of Hell is paradoxically described as "darkness visible." Here, darkness becomes not just an absence of light but an entity in itself, representing the fallen state of humanity and the loss of divine grace.
Exploration and Complication of Symbolism:
Both poems explore and complicate the symbolic connotations of light and darkness. In "A Nocturnal upon St. Lucy's Day," Donne's speaker grapples with the duality of light and darkness within their own emotional state. The speaker finds solace in darkness, perceiving it as a veil that shields them from painful memories and emotional turmoil. This complicates the traditional association of light with positivity and darkness with negativity.
In Milton's Paradise Lost, the interplay between light and darkness is more complex. Satan, as the fallen angel, seeks to create his own kingdom in Hell, embracing darkness as a symbol of rebellion against God's light. However, throughout the poem, Milton also presents moments of internal conflict within Satan, suggesting that even in darkness, there is an innate longing for light and divine grace. This exploration highlights the multifaceted nature of light and darkness as symbols of choice, rebellion, and redemption.
Role of Paradox:
Paradox plays a significant role in both poems, further emphasizing the complexity of light and darkness. In Donne's poem, the paradoxical juxtapositions between Lucy's name and her blindness evoke a sense of irony and contradiction. Similarly, Milton's description of Hell as "darkness visible" presents a paradoxical concept that challenges conventional understanding.
Paradox serves to disrupt simplistic interpretations of light and darkness by highlighting their coexistence and interdependence. It invites readers to question preconceived notions and consider the layers of meaning beneath surface-level associations.
Conclusion:
In conclusion, both John Donne's "A Nocturnal upon St. Lucy's Day" and John Milton's Paradise Lost explore the interplay between light and darkness, complicating their symbolic connotations. These poems challenge traditional interpretations by presenting paradoxes that disrupt simplistic notions of light as positive and darkness as negative. The poetic speakers' relationships with light and darkness reflect their internal struggles and search for meaning. By delving into these complexities, Donne and Milton invite readers to contemplate deeper philosophical questions surrounding choice, rebellion, redemption, and the multifaceted nature of human existence.